The Bre Pettis Collection of Computer Art
Portrait of Georg Nees

Photo: Alexander Kempkens, CC BY-SA 3.0, via Wikimedia Commons. Credit: Alexander Kempkens; also printed in „Bilder Image Digital, Computerkünstker in Deutschland 1986“

Georg Nees

German · 1926–2016

Georg Nees (1926–2016) held the first exhibition of computer art anywhere: February 1965, at Max Bense's Studiengalerie at the Technische Hochschule Stuttgart, where his plotter graphics — drawn by a Zuse Graphomat Z64 from ALGOL programs — hung under the banner of Bense's information aesthetics. Born in Nuremberg, he studied mathematics and physics at Erlangen after the war and spent his working life, 1951 to 1985, as an industrial mathematician at Siemens-Schuckertwerke in Erlangen, writing his first programs in 1959. From 1964 he studied philosophy under Bense in Stuttgart; his dissertation Generative Computergraphik (accepted 1968/69, published as a book in 1969, program listings included) was the first thesis on the field. He is one of the "3N" of computer-art founders — Nake, Nees, Noll — and Erlangen made him an honorary professor of applied computer science in 1977. Retirement did not slow him: from 1987 he taught himself the era's color desktop printers — an Okimate 20, then an HP Paintjet, driven from an Atari — and collected the "creative coincidence" of their errors. Schotter, his canonical tumbling-squares plot, is in the V&A. These are really special up close: the detail is insanely precise.

Artist's website (dam.org) ↗Read more on Wikipedia ↗

2 physical works

Works in the collection

In the library

Manfred Mohr. Enquête pour une histoire du Computer Art en France
Pierre Braun · 2024
Cybernetics and the Pioneers of Computer Art
Thomas Dreher · 2023
Do Computers Ruminate? On the Impossibility of "Thinking-Feeling" in AI Art
Thorsten Botz-Bornstein · 2023
Tracing the Line: The Art of Drawing Machines and Pen Plotters
Generative Hut, Vetro Editions · 2023
Mapping the Beginnings
Computer-generated Art · 2022
Mapping the Beginnings
Computer-generated Art · 2022
CAT 2010 London Conference ~ 3rd February
Douglas Dodds · 2021
EVA 2008 London Conference ~ 22-24 July
Douglas Dodds · 2021
Think the Image: Generative Art (workshop outline)
Frieder Nake · 2020
Georg Nees & Harold Cohen: Re:tracing the origins of digital media
Frieder Nake · 2019
Monitor ISH (2007), IX/2, 47–59 1.02 Pregledni znanstveni članek
· 2019
Magyar m‹vészek és a számítógép || Hungarian Artists and the Computer
Böröcz András · 2018
Think the Image, Don't Make It! On
Algorithmic Thinking, Art Education · 2017
Behind The Silicon Curtain Computer Art
· 2016
cac5-ebook
E. Reyes · 2016
Computer graphics- Computer art Editorial by Professor Kunii Editorial by Professor Franke It has been the goal o f the Vi- The tools and methods of com-
· 2016
Friedrich-Alexander-Universität Erlangen-Nürnberg, Germany
Manfred Mohr, Sol LeWitt · 2016
Mapping the Beginnings
Computer-generated Art · 2016
Aesthetica: 50 Years of Computer Generated Art
Wolf Lieser · 2015
Collecting Fifty Years of Computer-Generated Art at the V&A Many people assume that the history of digital art goes back a decade or two, at most.
New York. Nevertheless · 2015
Document generated on 11/25/2021 3:28 a.m.
ETC MEDIA · 2015
Thomas Dreher History of Computer Art
· 2015
Valentino Catricalà is a theoreti-
· 2015
CAT 2010 London Conference ~ 3rd February
Douglas Dodds · 2014
Digital computer art: A view from art history into the early beginnings
Christoph Klütsch · 2014
Computers and Creativity: Why Does Computing Matter to Creativity? (Preface)
Jon McCormack, Mark d'Inverno · 2012
Construction and Intuition: Creativity in Early Computer Art
Frieder Nake · 2012
The Semiotic Engine: Notes on the History of Algorithmic Images in Europe
Frieder Nake · 2009
Ex Machina — Frühe Computergrafik bis 1979 / Early Computer Graphics up to 1979
Wulf Herzogenrath, Barbara Nierhoff-Wielk · 2007
Chroniques de l'art vivant, no. 25
· 1971
Computer-Kunst: On the Eve of Tomorrow
Käthe Schröder (ed.) · 1969
Generative Computergraphik
Georg Nees · 1969
von der collage zur assemblage
Institut für Moderne Kunst Nürnberg · 1968
rot 19 — Georg Nees: computer grafik
Georg Nees, Max Bense · 1965
rot 19: computer-grafik
Max Bense, Elisabeth Walther · 1965
Algorithmic Art and Its Art-Historical Relationships
Anna Daudrich
History of Computer Art III.2 — Computer Graphics
Thomas Dreher
http://dx.doi.org/10.14236/ewic/HCI2022.49
Digital Art, Interactive Animation