The Bre Pettis Collection of Computer Art
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cover (after John De Andrea, 'Dorothy', painted fiberglass 1969/70) -- documenta 5 previewback cover, p.32 -- 'Joan Miro, 24 images/sec.' (Clovis Prevost film)p.2-3 -- Actualite: international exhibition calendarp.10-11 -- Londres: Art-Language, Terry Atkinson interviewed by Catherine Milletp.12-13 -- New York: Sol LeWitt, 'textes inedits en francais' (wall drawings)p.14-15 -- Abraham Moles, 'entre la Science et le Kitsch / Art et Ordinateur' (line-printer image)p.16-17 -- L'Esthetique Numerique (M. Mattys): Bense/Maser/Birkhoff, plotter drawings by Nees, Noll & Nakep.18-19 -- Madrid: le Centre de Calcul / Eusebio Sempere (computer self-portrait), Elena Asins, Yturraldep.20-21 -- Ordinateur et creation animee: John Whitney (IBM 2250 / GRAF); Gilles Aillaudp.22-23 -- Saint-Etienne: Bernard Dufour; Nouvelles de l'editionp.24-25 -- Carlos Fuentes; Le Feu Sacre; A la Bastillep.26-27 -- The Mood of Terry Riley; Sigma; musique contemporainep.30-31 -- Amsterdam: 2nd Wet Dream Film Festival; contents (sommaire) & masthead
Magazine issuePhysical copy in the collection

Chroniques de l'art vivant, no. 25

Year
1971
Tags
magazine · computer-art · generative · information-aesthetics · pioneers · conceptual-art · documenta · physical · owned · french

Notes

Chroniques de l'art vivant no. 25 (novembre 1971), the Maeght-published Paris art review (directeur Aime Maeght; redacteur en chef Jean Clair). A landmark early French dossier on computer and information-based art: Abraham Moles, 'entre la Science et le Kitsch / Art et Ordinateur' (p.14, with a line-printer ASCII image); 'L'Esthetique Numerique: Concepts de Base' by M. Mattys (p.16) on Birkhoff, Max Bense and Siegfried Maser's information aesthetics, illustrated with plotter drawings by Georg Nees, A. Michael Noll (a rotating hypercube) and Frieder Nake (1965); 'Le Centre de Calcul de Madrid / Eusebio Sempere' (p.18) on the Centro de Calculo computer-art seminar (Sempere's computer self-portrait, Elena Asins, Yturralde, Barbadillo, Equipo 57); and 'Ordinateur et creation animee: John Whitney' (p.21) on Whitney's IBM 2250 / GRAF motion graphics. Also: Sol LeWitt ('textes inedits en francais', wall drawings -- 'l'idee devient une machine qui produit l'art', p.12), Art-Language / Terry Atkinson interviewed by Catherine Millet (p.10), and a documenta 5 preview (entretien with Harald Szeemann, p.4). Cover after John De Andrea's 'Dorothy' (painted fiberglass, 1969/70). Owner's physical copy.