The Bre Pettis Collection of Computer Art
Portrait of Frieder Nake

Matthias Müller-Prove

Frieder Nake

German · b. 1938

Frieder Nake (b. 1938, Stuttgart) is a German mathematician and one of the "3N" founders of computer art — Nake, Nees, Noll. Studying mathematics at the TH Stuttgart (Diplom 1964, doctorate in probability theory 1967) and attending Max Bense's lectures, he was the research assistant who wrote the driver software connecting the computing center's SEL ER56 computer to its Zuse Graphomat Z64 flatbed drawing machine — and from 1963 he used that machine to make some of the first algorithmic drawings in existence. In November 1965 he and Georg Nees showed "Computer-Grafik Programme" at Galerie Wendelin Niedlich in Stuttgart, the third exhibition of computer art ever held; Cybernetic Serendipity (ICA London, 1968) and the Venice Biennale (1970) followed. Then he stopped: after some 300–400 works between 1965 and 1969, he published "There Should Be No Computer Art" (PAGE, October 1971), a political refusal to keep making art as market objects. Professor of computer science at the University of Bremen since 1972 (after two years at UBC in Vancouver), he has spent five decades teaching, writing on semiotics and the aesthetics of computing, and running the compArt database of digital art — the field's own historian, and one of its inventors. I enjoy Frieder Nake's work and like his almost gnome-like playfulness. I got to meet him in person at the Generative Art Summit Berlin — the Herbert W. Franke Foundation's conference at the Akademie der Künste on Hanseatenweg, July 3rd and 4th, 2024 — where he spoke in the Hall of Fame session alongside A. Michael Noll.

Artist's website (compart.uni-bremen.de) ↗

7 physical works

Works in the collection

In the library

Frieder Nake Discusses Algorithmic Origins and True Computer Images
Bettina Munk, Frieder Nake · 2025
Think the Image, Don't Make it! — Frieder Nake Reflects on 60 Years of Algorithmic Art
Frieder Nake, Wolf Lieser · 2025
48 Alicia J. M. Colson, Eduard-Claudiu GROSS
Alicia J. M. COLSON, Eduard-Claudiu GROSS · 2024
CAT 2010 London Conference ~ 3rd February
Frieder Nake · 2024
Emergent Aesthetics: Aesthetic Issues in Computer Arts Author(s): Mihai Nadin Source: Leonardo.
Show Catalog · 2024
Manfred Mohr. Enquête pour une histoire du Computer Art en France
Pierre Braun · 2024
Cybernetics and the Pioneers of Computer Art
Thomas Dreher · 2023
Do Computers Ruminate? On the Impossibility of "Thinking-Feeling" in AI Art
Thorsten Botz-Bornstein · 2023
DOI: http://dx.doi.org/10.14236/ewic/eva2014.5 7KH3RHWLFDQGWKH7KRXJKWIXO7KH&UHDWLYH 3RLHVLVRI$OJRULWKPLF$UWDQG'HVLJQ ,ULV$VDI
· 2023
OF CONFLUENCE 03
EXHIBITION CATALOG, Nadieh Bremer, Daniel Catt, Reva Fan, Lia Coleman, Piter Pasma, Bart Simons, Nicole Vella · 2023
Tracing the Line: The Art of Drawing Machines and Pen Plotters
Generative Hut, Vetro Editions · 2023
Digital Art Now
· 2022
lgorithms don’t seem across Europe and was a member of a sense of order, then introducing
· 2022
Mapping the Beginnings
Computer-generated Art · 2022
Mapping the Beginnings
Computer-generated Art · 2022
CAT 2010 London Conference ~ 3rd February
Douglas Dodds · 2021
EVA 2008 London Conference ~ 22-24 July
Douglas Dodds · 2021
Paper presented at the conference Art-oriented programming 2 (Programmation orientée-art 2) at the Amphithéâtre Richelieu of the Sorbonne, Paris, 20th October 2007.
Conceptual Art · 2021
Think the Image: Generative Art (workshop outline)
Frieder Nake · 2020
ThinkingIm-Day5
· 2020
Three drawings and one story
Frieder Nake · 2020
For the opening of the exhibition "Harold Cohen" DAM Gallery Berlin, 25 January, 2019
Frieder Nake, Harold Cohen · 2019
Georg Nees & Harold Cohen: Re:tracing the origins of digital media
Frieder Nake · 2019
Harold Cohen Unique
Frieder Nake · 2019
JCP 5 (1) pp. 177–194 Intellect Limited 2019 Journal of Contemporary Painting
Volume Number · 2019
Monitor ISH (2007), IX/2, 47–59 1.02 Pregledni znanstveni članek
· 2019
Review of "Thinking Machines: Art and Design in the Computer Age, 1959-1989”
Kendra Chilson Máté Szabó · 2017
Review of "Thinking Machines: Art and Design in the Computer Age, 1959-1989”
Kendra Chilson Máté Szabó · 2017
Think the Image, Don't Make It! On
Algorithmic Thinking, Art Education · 2017
Behind The Silicon Curtain Computer Art
· 2016
cac5-ebook
E. Reyes · 2016
CAT 2010 London Conference ~ 3rd February
Frieder Nake · 2016
Computer graphics- Computer art Editorial by Professor Kunii Editorial by Professor Franke It has been the goal o f the Vi- The tools and methods of com-
· 2016
Mapping the Beginnings
Computer-generated Art · 2016
Aesthetica: 50 Years of Computer Generated Art
Wolf Lieser · 2015
Collecting Fifty Years of Computer-Generated Art at the V&A Many people assume that the history of digital art goes back a decade or two, at most.
New York. Nevertheless · 2015
Document generated on 11/25/2021 3:28 a.m.
ETC MEDIA · 2015
Thomas Dreher History of Computer Art
· 2015
Valentino Catricalà is a theoreti-
· 2015
CAT 2010 London Conference ~ 3rd February
Douglas Dodds · 2014
Codifying History:
Honor Beddard · 2014
Digital computer art: A view from art history into the early beginnings
Christoph Klütsch · 2014
Computers and Creativity: Why Does Computing Matter to Creativity? (Preface)
Jon McCormack, Mark d'Inverno · 2012
Construction and Intuition: Creativity in Early Computer Art
Frieder Nake · 2012
The Semiotic Engine: Notes on the History of Algorithmic Images in Europe
Frieder Nake · 2009
Computergrafik. Ästhetische Experimente zwischen zwei Kulturen. Die Anfänge der Computerkunst in den 1960er Jahren
Christoph Klütsch · 2007
Ex Machina — Frühe Computergrafik bis 1979 / Early Computer Graphics up to 1979
Wulf Herzogenrath, Barbara Nierhoff-Wielk · 2007
CAT 2010 London Conference ~ 3rd February
Bruce Wands · 1985
Chroniques de l'art vivant, no. 25
· 1971
There Should Be No Computer Art
Frieder Nake · 1971
Computer-Kunst: On the Eve of Tomorrow
Käthe Schröder (ed.) · 1969
von der collage zur assemblage
Institut für Moderne Kunst Nürnberg · 1968
No cover
Algorithmen & Zeichen: Frieder Nake zur Gegenwart des Computers
Frieder Nake
Algorithmic Art and Its Art-Historical Relationships
Anna Daudrich
By the time the computer arrived on the architectural scene,
History of Computer Art III.2 — Computer Graphics
Thomas Dreher
http://dx.doi.org/10.14236/ewic/EVA2020.30
Re-Coding Classic, Algorithmic Art, André Rangel
http://dx.doi.org/10.14236/ewic/EVAC18.2 CHECKING CREATIVITY: Machines, Media
Michael Rottmann, Design Basel
On the automation of aesthetic production: