The Bre Pettis Collection of Computer Art
Portrait of Harold Cohen

Harold Cohen courtesy of the Harold Cohen Trust

Harold Cohen

British · 1928–2016

Harold Cohen (1928–2016) had two full art careers, and the second one changed what "artist" can mean. Born in London, he was a celebrated abstract painter — he represented Britain at the 33rd Venice Biennale in 1966 — before moving to UC San Diego in 1968, where he taught until 1994. There, and during a visiting-scholar stint at the Stanford AI Lab (1973–75), he began building AARON, the earliest artificial-intelligence program for making art, and then spent nearly five decades teaching it to draw: monochrome abstract "turtle" drawings in the 1970s (the little robot performed at his 1977 Stedelijk show and retired soon after), figures and plants drawn by plotters before live audiences in the 1980s (Arnolfini, Bristol, 1983), hand coloring, and eventually a machine that painted in color on its own. The Tate holds fifty-three of his works, and the Whitney's 2024 retrospective "Harold Cohen: AARON" confirmed what the plotter world knew all along. His estate is managed by the Harold Cohen Trust, with Gazelli Art House representing. I acquired the Cohens because I liked them, and then they grew on me more and more. I also built a turtle drawing machine of my own, which taught me a lot about how his worked.

Artist's website (haroldcohentrust.org) ↗Read more on Wikipedia ↗

7 physical works

Works in the collection

In the library

1.22.24 Beacon Gray Cream Yellow Misty Lilac
· 2024
48 Alicia J. M. Colson, Eduard-Claudiu GROSS
Alicia J. M. COLSON, Eduard-Claudiu GROSS · 2024
CAT 2010 London Conference ~ 3rd February
Frieder Nake · 2024
Emergent Aesthetics: Aesthetic Issues in Computer Arts Author(s): Mihai Nadin Source: Leonardo.
Show Catalog · 2024
Harold Cohen: AARON — Object Labels
Whitney Museum of American Art · 2024
Harold Cohen: AARON — Press Release
Whitney Museum of American Art · 2024
Publicity Image Sheet: Harold Cohen: AARON
Whitney Museum of American Art · 2024
Do Computers Ruminate? On the Impossibility of "Thinking-Feeling" in AI Art
Thorsten Botz-Bornstein · 2023
Tracing the Line: The Art of Drawing Machines and Pen Plotters
Generative Hut, Vetro Editions · 2023
UNIVERSITA’ DEGLI STUDI ROMA TRE Facoltà di Lettere e Filosofia Corso di Laurea in D.A.M.S
Nuovo Ordinamento · 2023
lgorithms don’t seem across Europe and was a member of a sense of order, then introducing
· 2022
Artandai
· 2021
CAT 2010 London Conference ~ 3rd February
Douglas Dodds · 2021
EVA 2008 London Conference ~ 22-24 July
Douglas Dodds · 2021
G e n e r a l A r t i c l e
Harold Cohen · 2021
Harold Cohen and AARON: Collaborations in the Last Six Years (2010–2016) of a Creative Life
Louise Sundararajan · 2021
Think the Image: Generative Art (workshop outline)
Frieder Nake · 2020
ThinkingIm-Day5
· 2020
Authorship and Appropriation in Artificial Intelligence Generated Artworks
Sofia Karakaidou · 2019
For the opening of the exhibition "Harold Cohen" DAM Gallery Berlin, 25 January, 2019
Frieder Nake, Harold Cohen · 2019
Georg Nees & Harold Cohen: Re:tracing the origins of digital media
Frieder Nake · 2019
Harold Cohen (1928-2016): The Last six years of a Creative Life
Louise Sundararajan · 2019
Harold Cohen Unique
Frieder Nake · 2019
Harold Cohen’s last phase of creativity Harold Cohen (1928-2016): The Last six years of a Creative Life
Louise Sundararajan, Independent Researcher, New York · 2019
CAT 2010 London Conference ~ 3rd February
Frieder Nake · 2016
Fingerpainting for the 21st Century
Harold Cohen · 2016
Fingerpainting for the 21st Century Why would I spend several thousand dollars on a technology concerning which I knew very
Control Screen · 2016
Harold Cohen and AARON
Paul Cohen · 2016
Mapping the Beginnings
Computer-generated Art · 2016
Aesthetica: 50 Years of Computer Generated Art
Wolf Lieser · 2015
Collecting Fifty Years of Computer-Generated Art at the V&A Many people assume that the history of digital art goes back a decade or two, at most.
New York. Nevertheless · 2015
Desmond Paul Henry: Manchester Pioneer of Computer Art Exhibition catalogue for the Henry exhibition at the Manchester Museum of Science and Industry (07/02/2011-07/05/2011) Editors: Elaine O’Hanrahan, Claire O’Hanrahan
· 2015
CAT 2010 London Conference ~ 3rd February
Douglas Dodds · 2014
Computers and Creativity: Why Does Computing Matter to Creativity? (Preface)
Jon McCormack, Mark d'Inverno · 2012
Construction and Intuition: Creativity in Early Computer Art
Frieder Nake · 2012
The Robotic Artist: AARON in Living Color Harold Cohen at a The Computer Museum, 1995
· 2012
Computer Art Congress 2 Proceedings
· 2008
Harold Cohen
harold cohen · 2000
Harold: A World Made of Drawings
Graphics Group · 2000
The Further Exploits of AARON, Painter
Harold Cohen · 2000
What is an Image
Harold Cohen · 2000
The Robotic Artist: AARON in Living Color
Oliver Strimpel, Harold Cohen · 1995
Aaron's Code: Meta-Art, Artificial Intelligence, and the Work of Harold Cohen
Pamela McCorduck · 1990
THE FURTHER EXPLOITS OF AARON, PAINTER
cohen · 1990
No cover
The First Artificial Intelligence Coloring Book
Harold Cohen, Becky Cohen, Penny Nii · 1984
How to Make a Drawing
Harold Cohen · 1982
Harold Cohen: Paintings 1960–1965
Whitechapel Art Gallery · 1965
AUTHORSHIP AND APPROPRIATION IN ARTIFICIAL INTELLIGENCE GENERATED ARTWORKS Dissertation submitted to Universidade Católica Portuguesa to obtain a Master’s Degree in Culture Studies - Management of the Arts & Culture
Sofia Karakaidou
Harold
No cover
Harold Cohen (Gazelli Art House)
Gazelli Art House
Harold Cohen: AARON Press Release
ARTIST HAROLD COHEN
Publicity Image Sheet: Harold Cohen
Harold Cohen, AARON KCAT
Symbolic Pointillism: Computer Art motivated by Human Perception Norbert Krüger?
UK Scotland