Description
Homage to Hockney (1988) is a black-and-white photograph printed as an artist's proof — Schwartz working in the spirit of David Hockney's photocollage "joiners" of the 1980s, perception assembled from fragments, an idea that sits naturally beside her lifelong interest in how images are constructed and seen. The work is a quiet outlier in her record: it appears in none of the catalogues, museum listings, or archive descriptions that document her films and prints, so it stands on its own evidence — a signed proof from the hand of a pioneer.